Magazine Jazz

This is another post in my recent "Blah blah Jazz" series. Every now and then I would visit the local bookstore and read some magazines, which almost always include Jazz Times because of its extensive review section. I listened to the following albums reviewed in the latest issue:
Still Dreaming: this is the name of the album as well as the name of the group led by saxophonist Joshua Redman, who paid homage to his dad Dewey Redman,  and Ornette Coleman, who has collaborated with the senior Redman. The review implied this album sounded more conventional than expected. Well, to me, it has just the right amount of "un"conventionalism. Or I might as well listen to Dewey and Ornette themselves!
Adam O’Farrill’s Stranger Days - El Maquech: As the grandson of Chico O'Farrill, you would expect to hear Afro-Cuban jazz. It certainly has those elements but there are more! I recommend reading NPR's interview with him regarding this excellent album.
Dave Holland - Uncharted Territory: this is a collaboration of the versatile bassist with avant garde saxophonist Evan Parker. If your last name is Parker and you play jazz, you'd better play something that break away from the tradition, like Charlie Parker and William Parker did! (I did manage to find one album with both William and Evan) The first track is totally misleading in the sense that it sounded "conventional" but I can reassure you the rest is not. Very challenging material.
JD Allen - Love Stone: I have read magazine articles mentioning this saxophonist before but never really listen to his music. However, with Liberty Ellman on guitar I figure you can't go wrong. I expected something adventurous to be honest but this album is all about standard ballads, played in a refreshing way though.
Buster Williams - Audacity: finally, an album that I expected to be conventional and sounded conventional indeed. This is straight ahead jazz at its finest. You can't go wrong if you are a fan of jazz.

San Franciscan Jazz

This is sort of part 3 of my latest jazz "series" and this time I will write about my "backyard" SF. As a SF Bay Area resident for over 20 years, my go-to place for jazz is still Yoshi's in Oakland. For SF, the go-to place has gone through many many changes: it was Jazz At Pearl's near China town years ago. I went a few times around 2001 before it went out of business. Then it's Yoshi' SF, which also went out of business because of the high cost. Savanna Jazz got a lot of good reviews but it had to leave the expensive SF for San Carlos, which is further down South on the Peninsula. Fortunately the SFJAZZ center seems to be here to stay 'coz I think that's the type of institution the social elites like to associate with. I did "discover" a few new venues this year:

Black Cat: this club has definitely booked quite a few quality acts and with many show times weekly. The most recent one I saw was the group Beekman from New York, which has just released a new album named Vol 3: live in San Francisco (so I count this as San Franciscan Jazz :P)
Even though I heard good music both times I went, I need to give it thumbs down: for people going there just for music like me, the only place to sit is at the bar, which has limited number of seats, one-side facing the stage and the other side back to the stage! Besides, most people went there to talk to their friends, with jazz as the background. I actually don't understand the rationale. If you just want jazz as background for chit-chat, you don't NEED to go to a jazz club. And the neighborhood is not exactly where I like to hang out at my age :P

Mr. Tipple's Recording Studio: to be honest, one big reason I wanna go was the name. It just sounds too interesting. After being there once though, I can tell you the place has absolutely nothing to do with a recording studio. It's just a bar with live music. I do have to give it thumbs up for allowing people like me (drink only and didn't reserve table for dinner) to sit close to the stage. Yes, most people there are talkers too but at least I can still hear the music, performed by this fine jazz quartet:

The sax and piano solo were impressive. They definitely have their own sound.

Bird and Beckett Books and Records: this is a relatively small local store in the SF Glen Park area. No cover charge (suggested donation is $10) and no talker! Everyone in the audience truly appreciate the music of Adam Gay Quintet last time I went.